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Deool Band 2 Box Office Collections: Pravin Tarde & Mohan Joshi's film fetches nearly Rs 55 crore in 11 days, adds TERRIFIC Rs 17 crore in 2nd Weekend
Pravin Tarde's Deool Band 2 recorded just a 10 per cent drop in its second weekend compared to the first, taking its running cume to Rs. 54.25 crore in 11 days.
Deool Band 2, directed by Pravin Tarde, showed no signs of slowing down anytime soon. The movie witnessed another 10 per cent spike on its second Sunday, adding Rs. 7 crore to the tally. This took its 3-day second weekend's cume to Rs. 17 crore gross, which is just 10 per cent down from its 4-day opening weekend of Rs. 18.50 crore. That said, the movie recorded the second biggest second weekend of all time for a Marathi film.
It stormed past the Rs. 50 crore gross mark at the domestic box office in just 11 days. That's huge for a regional film. Currently standing at Rs. 54.25 crore, the Mohan Joshi starrer is looking to close its second week around Rs. 65 crore gross.
Based on current trends, the devotional drama has the potential to overtake Raja Shivaji, Baipan Bhari Deva and Sairat in Maharashtra. Whether the movie can surpass Raja Shivaji in India as well and emerge as the new Industry Hit will be an interesting watch.
Day-wise box office collections of Deool Band 2 are as follows:
| Day | Box Office |
| Week 1 | Rs. 37.25 crore (8 days) |
| 2nd Friday | Rs. 3.75 crore |
| 2nd Saturday | Rs. 6.25 crore |
| 2nd Sunday | Rs. 7.00 crore (est.) |
| Total | Rs. 54.25 crore (est.) |
Stay tuned to Pinkvilla for more updates.
Disclaimer: The box office figures, opening-day forecasts, and lifetime collection projections mentioned in this article are subjective trade estimates compiled from various commercial parameters, advance booking trends, and market sentiment. These are purely analytical tracking figures and do not constitute actual, finalised collections or certified accounting statements. Pinkvilla does not make any representation or warranty, express or implied, regarding the pinpoint accuracy or completeness of these projections. No statement in this article is intended to defame, harm, or malign any individual, production house, artist, or commercial entity involved in the making of the film.
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