Main Vaapas Aaunga Review: Naseeruddin Shah, Diljit, Vedang, Sharvari’s pre-partition love story lingers in your heart long after the credits roll

Thinking of watching Imtiaz Ali’s latest directorial Main Vaapas Aaunga this weekend? Don't hesitate, just go ahead and book your tickets.

Gayatri Nirmal
Written by Gayatri Nirmal , Author
Updated on Jun 11, 2026 | 01:29 PM IST | 1.7M
Vedang Raina, Sharvari
Main Vaapas Aaunga Review (Credits: Applause Entertainment)

Name: Main Vaapas Aaunga

Director: Imtiaz Ali

Cast: Naseeruddin Shah, Diljit Dosanjh, Vedang Raina, Sharvari

Writer: Imtiaz Ali, Nayanika Mahtani

Rating: 4/5

The Plot

Yearning has always been at the core of maestro Imtiaz Ali’s cinematic universe, and Main Vaapas Aaunga is no exception. Set against the turbulent backdrop of the pre-partition migration era, the story follows Keenu (Vedang Raina), a young man deeply in love with Jiya, aka Afsana (Sharvari). Just as their romance blossoms, partition abruptly tears them apart, separating them by a newly drawn border.

Decades later, the narrative shifts to the present day, where Nirvair Grewal (Diljit Dosanjh) embarks on a poignant mission: to help his grandfather, an elderly Keenu (Naseeruddin Shah), reunite with his long-lost Jiya. Whether Nirvair succeeds in bridging this historical divide forms the emotional crux of a story that beautifully navigates themes of belonging, deep-seated nostalgia, and dementia.

What Works

Imtiaz Ali’s vision serves as the film's ultimate anchor. Despite managing multiple parallel timelines, the screenplay never falters or loses momentum. Set primarily in Pakistan's Sargodha, the film meticulously reconstructs the vintage landscape, capturing the authentic body language, regional nuances, and cultural costumes of the era.

The narrative delicately balances heavy themes, the trauma of refugee families, the agony of separation, and the vulnerability of dementia, all while keeping its central love story intact. It restores your faith in old-school romance, making you realize that modern commitment phobia is merely a state of mind.

The cinematography features visually arresting frames that tell a story of their own. Furthermore, the seamless editing and clever color grading effortlessly transport the audience across different eras without relying on on-screen year stamps.

What Doesn't Work

Given that Imtiaz Ali's films are traditionally anchored by chart-topping, unforgettable soundtracks, the music of Main Vaapas Aaunga feels unusually understated. It is a beautiful score, but it may not find the same massive, universal appeal as his previous albums.

Performances

Naseeruddin Shah: He is, hands down, the hero of this film. To comment on his brilliance feels redundant; he remains an absolute institution of acting.

Diljit Dosanjh: As Nirvair, Dosanjh delivers an incredibly grounded and believable performance, acing every single scene with his signature finesse.

Vedang Raina: This film is a definitive turning point for him. Displaying an immense range, he eschews the typical 'macho man' tropes to portray a young man stripped of his innocence by circumstance. His transition through grief, rage, and subtle pain is a bravura performance.

Sharvari: Striking the perfect balance between mischief, grace, and resilient strength, she delivers an exceptional performance that leaves you craving more screen time. She is undeniably one of the finest talents in the industry today.

Rajat Kapoor and Dolly Ahluwalia infuse the narrative with immense gravitas, while Anjana Sukhani and Banita Sandhu provide solid, able support.

Final Verdict

After a long dry spell, Hindi cinema finally delivers a profound love story that will leave your heart racing and your eyes moist long after you step out of the theater. True to the Imtiaz Ali universe, the iconic tradition of a lead character eating in isolation makes a poetic return.

Disclaimer: The views and opinions expressed in this article are solely those of the author and do not reflect the official policy or position of Pinkvilla. No statement in this article is intended to defame, harm, or malign any individual or entity. 

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